Ryan Gander Fieldwork, Lisson Gallery, London
The title Fieldwork hints at some sort of preparatory work of rough ideas taken from the world at large – the...
Agnes Martin at Tate Modern, London
My paintings have neither objects nor space nor time nor anything – no forms. They are light, lightness, about merging,...
The World Goes Pop at Tate Modern London
This is pop Jim, but not as we know it. There are no Warhol Brillo Boxes, Roy Lichtenstein Whaams or...
Ai Weiwei at the Royal Academy, London
The notorious Chinese dissident artist has clearly been very busy since his recent, and not insubstantial, exhibition at Blenheim Palace...
Ai Weiwei at Blenheim Palace
Ai Weiwei at Blenheim Palace is the inaugural exhibition of the Blenheim Art Foundation and one’s first instinct is that...
Oudolf Field at Hauser & Wirth – Somerset
Some unseasonably warm weather this week prompted us to take a journey out to Dursalde Farm, location of the latest...
Barbara Kruger at Modern Art Oxford
You have already seen Barbara Kruger’s work. Whether you realise it or not is a different matter, but the bold...
Hauser & Wirth Somerset opens with Phyllida Barlow – GIG
Hauser & Wirth are one of the powerhouses of worldwide contemporary art with galleries in Zurich, London, New York, Los...
Hugh Mendes Obituaries & Other Works at High House
‘It’s a simple idea, and it’s perfect for the genre. The newspaper, that man-made butterfly that ends its brief but...
David Hockney – The Arrival of Spring at Annely Juda
Following on from the excellent Yoshishige Saito exhibition (reviewed on CELLOPHANELAND* last month) Annely Juda are showing everyone’s favourite Yorkshire artist, David Hockney. Showing...
The Cass Sculpture Foundation
I have been aware of the existence of the CASS Foundation for a number of years but had somehow never...
Martin Creed: What’s the Point of It? The Hayward Gallery
The knowing title of Martin Creed’s solo show at The Hayward, What’s the Point of It? offers an immediate hint at the content...